A Room of My Own – London Film Festival 2022
Marie’s final report from #LFF22 hops over to Tbilisi, Georgia, to discover how difficult it is for contemporary young womenContinue Reading
cinema for your deserted island
Marie’s final report from #LFF22 hops over to Tbilisi, Georgia, to discover how difficult it is for contemporary young womenContinue Reading
Take a slice of Denis Villeneuve’s Enemy, a good pinch of Asghar Farhadi and the lightest sprinkling of Wong Kar-Wai’s In theContinue Reading
A distinctive and unique first feature from Rahat Mahajan, which blends ancient myth and modern high-school romance. Some entrancing traditionalContinue Reading
With a nuanced performance of a character in turmoil from Vicky Krieps, and featuring Gaspard Ulliel in his final screenContinue Reading
A first feature from Mexican Natalia López Gallardo, Robe of Gems centres on three very different women and their lives in theContinue Reading
Acclaimed Chilean documentarian Patricio Guzmán returns yet again to his homeland to chart an unexpected people’s revolution, one which couldContinue Reading
Surreal, philosophical, and with a humour darker than a December night in Lapland, The Woodcutter Story is a Finnish tale of hopeContinue Reading
A labyrinthine plot with a few too many twists in the second half, The Woman in the White Car is nevertheless anContinue Reading
In competition at London Film Festival in the First Feature category, 1976 is actor-turned-director Manuela Martelli’s observation of a woman most definitely out ofContinue Reading
Blending a police procedural with something quite otherworldly, Ashkal is a strong calling card for Tunisian writer/director Youssef Chebbi. A young femaleContinue Reading