More than Ever – London Film Festival 2022
With a nuanced performance of a character in turmoil from Vicky Krieps, and featuring Gaspard Ulliel in his final screenContinue Reading
Author: Marie O'Sullivan
Robe of Gems – London Film Festival 2022
A first feature from Mexican Natalia López Gallardo, Robe of Gems centres on three very different women and their lives in theContinue Reading
My Imaginary Country – London Film Festival 2022
Acclaimed Chilean documentarian Patricio Guzmán returns yet again to his homeland to chart an unexpected people’s revolution, one which couldContinue Reading
The Woodcutter Story – Lond Film Festival 2022
Surreal, philosophical, and with a humour darker than a December night in Lapland, The Woodcutter Story is a Finnish tale of hopeContinue Reading
The Woman in the White Car – London Film Festival 2022
A labyrinthine plot with a few too many twists in the second half, The Woman in the White Car is nevertheless anContinue Reading
1976 – London Film Festival
In competition at London Film Festival in the First Feature category, 1976 is actor-turned-director Manuela Martelli’s observation of a woman most definitely out ofContinue Reading
Ashkal – London Film Festival 2022
Blending a police procedural with something quite otherworldly, Ashkal is a strong calling card for Tunisian writer/director Youssef Chebbi. A young femaleContinue Reading
Blu-Ray Review: Arrow Video’s A Fugitive from the Past
Almost 60 years after being voted third in a Japanese poll of the Top Japanese Films of the 20th Century,Continue Reading
Film Review: The Justice of Bunny King
A willful yet caring mother tries to regain custody of her two children – but the authorities are just followingContinue Reading
Film Review: Both Sides of the Blade (2022) 
Suspenseful without being chilling, Claire Denis’ latest film – marital drama Both Sides of the Blade -contains strong performances from regular collaboratorsContinue Reading