Film Review: Where is Anne Frank (2022)
Bringing Anne Frank’s Diary to life for a new generation, acclaimed director Ari Folman’s Where is Anne Frank is a thoughtful, emotionalContinue Reading
Author: Marie O'Sullivan
Film Review: The Good Boss (2022)
The Good Boss (El buen patrón) is an award-winning dark comedy and workplace satire which pokes a long-handled stick of fun atContinue Reading
Film Review: Costa Brava, Lebanon (2022) 
Tensions flare in an idyllic rural home when environmental issues and political corruption arrive on the doorstep of a familyContinue Reading
Blu-Ray Review: Memoria (2022) 
A meditative drama set in Colombia from Thai director Apichatpong Weerasethakul, Memoria features a flawless Tilda Swinton on the search for theContinue Reading
Film Review: Mondocane
Orphans, an apocalyptic event and a society ruled by gang warfare – Mondocane is a near-future-set Italian film in which friendship andContinue Reading
Film Review: The Quiet Girl (2022)
A triumph for the Irish film industry. The Quiet Girl is a gentle gem of a film about childhood, family relationships, andContinue Reading
Film Review: Ahed’s Knee (2022)
A celebrated, if a little grumpy, filmmaker arrives in a small town to screen his latest film, and ends upContinue Reading
Film Review: Firebird (2022)
Based on the memoirs of the lead character, Firebird is a story of love and longing in, of all places, a SovietContinue Reading
Film Review: Anaïs in Love (2022) 
Anaïs in Love, a French romance from first-time feature director Charline Bourgeois-Tacquet, follows a spirited young woman in pursuit ofContinue Reading
Film Review: Hit the Road (2022)
Winner of the Best Film prize at last year’s London Film Festival, Iranian writer/director Panah Panahi’s first feature Hit the Road isContinue Reading