With star turns by Lee Young-ae, Song Kang-ho and Lee Byung-hun JSA may at first glance not be like any of Park’s other features. Slowly the tense military thriller tightens the reigns turning from thriller to tragedy.
The DMZ is what separates North from South Korea. Armed guards and military installations line this invisible line. During one late night, there is an incident on the North Korean side that costs two of the Northern Soldiers’ deaths. To attempt to quell what could turn into a full-out work an investigation is conducted by the Swiss Military let by Major Sophie Jean (Lee Young-ae) is brought in. Major Jean finds a confounding mystery at the center of this incident. One that Sergeant Lee (Lee Byung-hun), Private Nam (Kim Tae-woo), and Sergeant Oh (Song Kang-ho) do not want to tell anyone. As Jean begins her investigation, we find the real story behind Lee, Nam, Oh, and Private Jung Woo-jin (Shin Ha-Kyun).
Park Chan-wook’s filmography is one filled with the cost of violence and the tragedy of it. In that regard JSA matches up perfectly to his filmography. Though there were other films Park had directed prior to JSA this feels like his first fully formed one. Do not let the commercial qualities fool you. This military thriller is as much a military thriller as Oldboy is a revenge film.
Based on a Novel by Park Sang-yeon the adaptation takes a novelistic approach with dueling narratives; one told in the past, one told in the present. This allows the audience to know what the outcome is but not the details of how it occurred. Park and his screenwriters focus on the budding friendships between the four men and the tensions the political ideals they were raised with cause. By undercutting the more exploitative aspects of the story we are left with a drama with a well-spring of emotion.
When the violence does occur, it makes no mistake Park does not hold back, it is horrific and unsettling. As it should be. Many of fan of Korean cinema often take the brutal violence on display as “cool”. JSA and Park make sure that none of this is “cool” or “badass” but rather upsetting and terrifying. That is the key to JSA’s power. A power that has not faltered in the twenty years since its initial release.
The Transfer
The High-Definition transfer included here is beautiful. Arrow Video’s transfer is sharp, with solid contrast levels, and a healthy grain structure. Having seen the film in theaters and on home video (in other iterations) this Blu-Ray is as impressive looking as JSA has ever looked.
The Extras
They include the following;
New audio commentary by writer and critic Simon Ward
Isolated music and effects track
Stepping over Boundaries
The JSA Story
Making the Film, two archival featurettes on the film’s production
About JSA, a series of archival introductions to the film by members of the cast
Behind the scenes montage
Opening ceremony footage
Two music videos: Letter from a Private and Take the Power Back
Theatrical trailer
TV spot
Image gallery
The newly recorded commentary by Critic Simon Ward. The critic delivers an insightful commentary track for Park’s Third Feature Film. Details include director Park’s career and how JSA varies from his filmography, its ties to A Good Few Men, the careers of Lee Young-ae, Song Kang-ho, and Lee Byung-hun and their relationships and ties to director Park’s filmography, the directorial style and how Park handles the flashback and multiple points of views in the film, Park’s Vengeance Trilogy and how it cast a long shadow over his career, the politics of the film, Quentin Tarantino’s love of this film and Park’s filmography as a whole, the change in Park’s preference of acting styles through the years, and much more. It’s a solid informative track for novices and experts in South Korean cinema.
Isolated Score and Sound FX (1:49:04) – the Jo Yeong-wook and Bang Jun-seok score is presented without Sound FX.
Stepping Over Boundaries (35:14) – Critic Jasper Sharp discusses the career of Park Chan-Wook and where JSA lines up in his filmography. Sharp is great with discussing not only the work of Park but the work of the other directors from South Korea that came up during the boom in their Korean Cinema. The critic discusses very interestingly the Homoerotic notations of JSA, the structure, the visuals, a divergence into the film Shiri and its relevance to JSA (this review quite liked the film from the late 90s but has been some time since seeing it), other films that dealt with South and North Korean conflict; Silmido, Taegukgi, Welcome to Domogal, Operation Chromite, and much more. The featurette is both an interview and visual essay of sorts as there are scenes, photos, posters and other visual pieces are shown throughout to give emphasis of Sharp’s commentary on Park and his film.
Archival Featurettes
The JSA Story (36:47) – is an archival featurette dealing with the story behind JSA. The featurette how the story came to evolve out of a real-life incident, and that discusses not only the success of the film in Korea and abroad as well. The primary focus is how the writer brought the subject to life first as a book then as a film/screenplay. There’s some great footage of rehearsals, production, storyboards (including things that were cut from the final film), and premieres. The featurette has interviews with director Park, writers, actors and other behind the scenes crew. Korean with English Subtitles.
Making the Film (14:00) – another archival featurette on the making of the film. This is a companion piece to the above featurette. This does feature more footage from the press tour and how the film effected Korean Audiences. It does feature some great b-roll footage of making some of the more intense moments in the film. The featurette has interviews with director Park, writers, actors and other behind the scenes crew. Korean with English Subtitles.
About JSA (2:18) – a series of archival introductions to the film by Lee Byung-hun, Song Kang-ho, Lee Young-ae, Kim Tae-woo, Shin Ha-kyun.
Behind the scenes montage (14:35) – this archival featurette is a compilation of smartly edited B-Roll footage of various scenes/set pieces from the film including the final shoot out, the confrontation between Jean and the General, the spitting scene, and others. Korean with English Subtitles.
Opening ceremony footage (3:04) – Not the premiere but the opening/commencement of the beginning of shooting (which is the custom in many Asian countries). Korean with English Subtitles.
Music Videos
Letter from a Private (4:50) – the folk-y song that plays through the entire film that forms the bond between the four friends. The music video is a series of film clips as the song plays.
Take the Power Back (4:02) – Yes, the Rage Against the Machine song from the time. It plays against behind-the-scenes footage plays. Actually, quite effective.
Promotional Materials
Theatrical Trailer (2:13) – of note this is the Korean trailer. Korean with English subtitles.
TV Spot (0:33) – this is also a Korean TV Spot. Korean with English subtitles.
Image Gallery (2:13) – The 15 production stills and posters can be played automatically or paused and navigated through by using the Next/Back Chapter buttons on your remote.
The Final Thought
JSA is welcomed back to Home Video with a wealth of extras and a beautiful transfer. HIGHEST POSSIBLE RECOMMENDATIONS!!!
After too long out of print in the US, Park Chan-Wook’s JSA (Joint Security Area) comes roaring back to home video. The Arrow Video Blu-Ray is armed with beautiful transfer and plenty of extras.
The Film
With star turns by Lee Young-ae, Song Kang-ho and Lee Byung-hun JSA may at first glance not be like any of Park’s other features. Slowly the tense military thriller tightens the reigns turning from thriller to tragedy.
The DMZ is what separates North from South Korea. Armed guards and military installations line this invisible line. During one late night, there is an incident on the North Korean side that costs two of the Northern Soldiers’ deaths. To attempt to quell what could turn into a full-out work an investigation is conducted by the Swiss Military let by Major Sophie Jean (Lee Young-ae) is brought in. Major Jean finds a confounding mystery at the center of this incident. One that Sergeant Lee (Lee Byung-hun), Private Nam (Kim Tae-woo), and Sergeant Oh (Song Kang-ho) do not want to tell anyone. As Jean begins her investigation, we find the real story behind Lee, Nam, Oh, and Private Jung Woo-jin (Shin Ha-Kyun).
Park Chan-wook’s filmography is one filled with the cost of violence and the tragedy of it. In that regard JSA matches up perfectly to his filmography. Though there were other films Park had directed prior to JSA this feels like his first fully formed one. Do not let the commercial qualities fool you. This military thriller is as much a military thriller as Oldboy is a revenge film.
Based on a Novel by Park Sang-yeon the adaptation takes a novelistic approach with dueling narratives; one told in the past, one told in the present. This allows the audience to know what the outcome is but not the details of how it occurred. Park and his screenwriters focus on the budding friendships between the four men and the tensions the political ideals they were raised with cause. By undercutting the more exploitative aspects of the story we are left with a drama with a well-spring of emotion.
When the violence does occur, it makes no mistake Park does not hold back, it is horrific and unsettling. As it should be. Many of fan of Korean cinema often take the brutal violence on display as “cool”. JSA and Park make sure that none of this is “cool” or “badass” but rather upsetting and terrifying. That is the key to JSA’s power. A power that has not faltered in the twenty years since its initial release.
The Transfer
The High-Definition transfer included here is beautiful. Arrow Video’s transfer is sharp, with solid contrast levels, and a healthy grain structure. Having seen the film in theaters and on home video (in other iterations) this Blu-Ray is as impressive looking as JSA has ever looked.
The Extras
They include the following;
The newly recorded commentary by Critic Simon Ward. The critic delivers an insightful commentary track for Park’s Third Feature Film. Details include director Park’s career and how JSA varies from his filmography, its ties to A Good Few Men, the careers of Lee Young-ae, Song Kang-ho, and Lee Byung-hun and their relationships and ties to director Park’s filmography, the directorial style and how Park handles the flashback and multiple points of views in the film, Park’s Vengeance Trilogy and how it cast a long shadow over his career, the politics of the film, Quentin Tarantino’s love of this film and Park’s filmography as a whole, the change in Park’s preference of acting styles through the years, and much more. It’s a solid informative track for novices and experts in South Korean cinema.
Isolated Score and Sound FX (1:49:04) – the Jo Yeong-wook and Bang Jun-seok score is presented without Sound FX.
Stepping Over Boundaries (35:14) – Critic Jasper Sharp discusses the career of Park Chan-Wook and where JSA lines up in his filmography. Sharp is great with discussing not only the work of Park but the work of the other directors from South Korea that came up during the boom in their Korean Cinema. The critic discusses very interestingly the Homoerotic notations of JSA, the structure, the visuals, a divergence into the film Shiri and its relevance to JSA (this review quite liked the film from the late 90s but has been some time since seeing it), other films that dealt with South and North Korean conflict; Silmido, Taegukgi, Welcome to Domogal, Operation Chromite, and much more. The featurette is both an interview and visual essay of sorts as there are scenes, photos, posters and other visual pieces are shown throughout to give emphasis of Sharp’s commentary on Park and his film.
Archival Featurettes
Music Videos
Promotional Materials
The Final Thought
JSA is welcomed back to Home Video with a wealth of extras and a beautiful transfer. HIGHEST POSSIBLE RECOMMENDATIONS!!!
Arrow Video’s Blu-Ray for JSA is out now.
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