So many films say they’re attempting to recall the Amblin Produced films of the 1980s. Rarely do they achieve what Spielberg and the likes of Richard Donner, Joe Dante, and other directors were able to do. Enter in LAIKA the Oregon-based Stop Motion Animation Studio and writer/co-director Chris Butler and co-director Sam Fell and give us a film that never feels like a direct rip-off of those films but in the spirit of them.
Norman (Kodi Smit-McPhee) is your average pre-teen. Dad doesn’t understand his fascination with horror. Mom loving plays middleman. An older sister that despises him. A Grandma that supports him in everything but is dead. Norman can not only talk to his deceased Grandma but can see and talk to all the spirits that have unresolved issues in the parish of Blithe Hallow. It is only with the passing of Norman’s great uncle, Mr. Prenderghast (John Goodman) does Norman’s power finds power. In less than twenty-four hours Norman needs to lay the witch Agatha back to rest. The reasons why and how are at the center of an adventure that increases in danger as it begins to involve zombies and crowds of unruly townspeople.
Much like Pixar at its apex and Studio Ghibli, LAIKA Studios crafts impeccably refined masterpieces of visual storytelling. Paranorman is no exception as the film deals with childhood with an understanding that is beyond the stereotypes that are propagated by studio-produced entertainment and even filmmakers themselves. The film itself takes movie monster troupes themselves the “zombie”, the “witch”, the “ghosts” and spins them with enough heart and humor in the most unique of ways that it isn’t out of line to call Paranorman a truly original take on the horror film.
To say the visual design and composition of the film are impressive is an understatement. Like Coraline and The Boxtrollsbefore it Paranorman is designed to be both an utter amazing visual magic trick and a complex triple dog dare (to borrow a phrase from a Christmas movie) of invention. The set pieces are flat-out amazing and designed to be bold and invisible in a way that doesn’t distract from the storytelling but upon revisiting will make one wonder “how’d they do that?”.
Though none of that would matter if Paranorman did not work as a story, which it does masterfully. Funny, inventive, emotionally resonant, and fairly critical Paranorman is the type of horror film that will delight the entire family and maybe the gateway for younger film fans into the world of genre filmmaking.
The Transfer
The newly remastered transfer by LAIKA and Shout Factory is a nice upgrade from the Blu-Ray/3D BD that was released in 2013. Similar to Coraline, the advancements of hardware and software have given us a better fuller more verbose image for Paranorman. This 2021 transfer’s colors just pop more and the image has a greater tolerance with its contrast and black levels making it look all-around better and more like the image seen in theaters. Well worth the upgrade.
The Extras
They include the following:
Audio Commentary With Writer/Director Chris Butler And Co-Director Sam Fell
Inside LAIKA – Discovering The Characters And Effects Of ParaNorman Featuring Never-Before-Seen Test Footage
Inside LAIKA – Revisiting The Puppets With LAIKA’s Animation Team
Feature-Length Storyboards
Peering Through The Veil: Behind the scenes of Paranorman
Original Featurettes
Character, Concept Art And Behind-The-Scenes Photo Galleries
Art & Essay Mini-Book
The audio commentary by directors Chris Butler and Sam Fell begins with the reasons why they opened with the scene they chose and goes into an informative track. Some of the details include how they achieved the movie within a movie, the relationship with grandma and how the solution to the end problem was built into the beginning, the visual inspiration from photographer William Ableton, the work in pre-production with many of the creators of The Secret of Kells and Wolfwalkers, the kind of comedy they were trying to achieve, the various in-jokes that are related to horror films, the troubles that came up with shooting stereo (aka native 3D), how The Golden Girls influenced the development of Grandma’s look, the voice work and how the younger actor’s scenes were achieved, the specifics of creating the zombie initial appearances, the car chase and the difficulty in achieving it, references to Scooby-Doo, how they developed the third act, the challenges to create Aggie and the lack of CG augmentation, and so much more. Much like the commentary tracks for both Coraline and The Box Trolls this track gives an amazing wealth of information about the creation of this complex stop motion work of art. They even talk through the great credit sequences and for the final little end credit sequence (which has nothing to do with the film itself but everything).
Inside LAIKA: Discovering The Characters And Effects Of ParaNorman (12:51)– is an all-new featurette that looks into the work that goes into creating a performance in stop motion and the FX and lack. The featurette has some great looks at test footage behind the scenes of the process and a look at each character and how they approached them including some great tests for each and some up-close behind-the-scenes footage especially for the bigger set pieces of the film. Comments by directors Sam Fell and Chris Butler, Producer Arianne Sutner, Producer/Lead Animator Travis Knight, production designer Nelson Lowery, visual effect supervisor Brian Van’t Hul, animation rigging supervisor Oliver Jones, animation supervisor Brad Schiff and others.
Inside LAIKA: Revisiting The Puppets With LAIKA’s Animation Team – this all-new featurette is a look at the various characters in the film. The 1 to 2-minute featurettes are broken down by character and are essentially micro-commentaries by the animators discussing the animating the character.
Courtney Babcock (1:25) – Comments by animator Jason Stalman.
Mitch (1:35) – Comments by animator Jason Stalman.
Norman Babcock (1:59) – Comments by animator Jason Stalman.
Neil (1:22) – Comments by animator Jason Stalman.
Mr. Prenderghast (1:43) – Comments by animator Brad Schiff.
Zombie Judge (2:09) – Comments by animator Dan Alderson.
Feature-Length Storyboards (92:03) – the all-new feature is like the recently released Coraline and The Boxtrolls and most Shout Factory GKIDs Studio Ghibli’s Blu-Rays. As “animatics” have become a vital part of the animation process this is vital including, especially for anyone interested in any form of animation including stop-motion. It’s a great way to compare the finished product and how much character and subtly the animators place into the completed animation. Watching this along with the other two LAIKA Studio Blu-Rays with the same featurette one can see the technology they use to create the storyboard/animatics evolve as this version is much more refined with colored sequences and other pieces that help give this rough form of the film a bit more life and understanding.
Peering Through The Veil: Behind the scenes of Paranorman (40:41) – This featurette was carried over from the original Blu-ray disc, like the one from Boxtrolls disc, is still an excellent making-of documentary. The 40-minute documentary covers all aspects of the production leaving nothing not discussed.
Featuring comments by directors Chris Bulter and Sam Fell, Producer/lead animator Travis Knight, production designer Nelson Lowery, assistant art director/head of set dressing Robert DeSue, voice actor Ana Kendrick, voice actor Kodi Smit-McPhee, voice actor Casey Affleck, voice actor Tucker Albrizzi, voice actor Christopher Mintz-Plasse, voice actor Jeff Garlin, voice actor Leslie Mann, voice actor Jodelle Ferland, voice actor Alex Borstein, Character fabrication supervisor Georgina Hayns, head of armature Jeanne R. McIvor, lead hair and fur fabrication Jill Penney, head of hair and fur fabrication Jessica Lynn, costume design supervisor Debrorah Cook, fabrication design lead Kingman Gallagher, fabrication performance lead Morgan Hay, replacement animation and engineering Brian McLean, visual effect supervisor Brian Van’t Hul, animation rigging supervisor Oliver Jones, animation supervisor Brad Schiff, and more behind-the-scenes crew. The featurette is divided into 8-sections looking at the various aspects of the production which does have a “Play All” Function.
That’s Paranorman
Creating a World
Voicing Paranorman
Making Faces
Rigging the Game
Bringing the Undead to Life
Angry Aggie
Weird and Wonderful
You Don’t Become a Hero by Being Normal (2:43) – an archival EPK-style featurette looking at the behind-the-scenes crew and their childhoods being labeled “strange” and how it relates to the message of the film.
A Norman Childhood (2:03) – an archival EPK-style featurette looking at writer/co-director Chris Butler and the origins of the film.
Playing as a Profession (2:18) – an archival EPK-style featurette looking at co-director Sam Fell and directing a stop motion film.
Making Norman (1:34) – an archival EPK-style featurette looking at how Norman the Puppet/Armature is made in this time-lapsed video (it can also be seen at the end of the film).
This Little Light (1:15) – an archival EPK-style featurette looking at how a lamp is made in miniature.
Have you Ever Seen a Ghost (2:11) – an archival EPK-style featurette asking the cast or crew they’ve ever seen a ghost.
The Zombies of Paranorman (2:14) – an archival EPK-style featurette looking at who designed the zombies.
Still Galleries – the newly produced galleries include the following;
Character Art (2:05) – the 25 pieces of character art run automatically but can be navigated using the Chapter Stops on your remote and can also be paused.
Concept Art (2:06) – the 25 pieces of concept art run automatically but can be navigated using the Chapter Stops on your remote and can also be paused.
Behind the Scenes (2:06) – the 25 behind-the-scenes photos run automatically but can be navigated using the Chapter Stops on your remote and can also be paused.
Trailer (1:33)
The Final Thought
Paranorman in its remastered edition is a perfect complement to the film. Shout Factory’s release of this LAIKA Edition is a must-own. HIGHEST POSSIBLE RECOMMENDATIONS!!!!
Paranorman continues LAIKA Studios streak of beautifully created stop motion animated features. This time taking on horror troupes. Shout Factory and LAIKA have teamed up for yet another impressive Blu-Ray Release.
The Film
So many films say they’re attempting to recall the Amblin Produced films of the 1980s. Rarely do they achieve what Spielberg and the likes of Richard Donner, Joe Dante, and other directors were able to do. Enter in LAIKA the Oregon-based Stop Motion Animation Studio and writer/co-director Chris Butler and co-director Sam Fell and give us a film that never feels like a direct rip-off of those films but in the spirit of them.
Norman (Kodi Smit-McPhee) is your average pre-teen. Dad doesn’t understand his fascination with horror. Mom loving plays middleman. An older sister that despises him. A Grandma that supports him in everything but is dead. Norman can not only talk to his deceased Grandma but can see and talk to all the spirits that have unresolved issues in the parish of Blithe Hallow. It is only with the passing of Norman’s great uncle, Mr. Prenderghast (John Goodman) does Norman’s power finds power. In less than twenty-four hours Norman needs to lay the witch Agatha back to rest. The reasons why and how are at the center of an adventure that increases in danger as it begins to involve zombies and crowds of unruly townspeople.
Much like Pixar at its apex and Studio Ghibli, LAIKA Studios crafts impeccably refined masterpieces of visual storytelling. Paranorman is no exception as the film deals with childhood with an understanding that is beyond the stereotypes that are propagated by studio-produced entertainment and even filmmakers themselves. The film itself takes movie monster troupes themselves the “zombie”, the “witch”, the “ghosts” and spins them with enough heart and humor in the most unique of ways that it isn’t out of line to call Paranorman a truly original take on the horror film.
To say the visual design and composition of the film are impressive is an understatement. Like Coraline and The Boxtrollsbefore it Paranorman is designed to be both an utter amazing visual magic trick and a complex triple dog dare (to borrow a phrase from a Christmas movie) of invention. The set pieces are flat-out amazing and designed to be bold and invisible in a way that doesn’t distract from the storytelling but upon revisiting will make one wonder “how’d they do that?”.
Though none of that would matter if Paranorman did not work as a story, which it does masterfully. Funny, inventive, emotionally resonant, and fairly critical Paranorman is the type of horror film that will delight the entire family and maybe the gateway for younger film fans into the world of genre filmmaking.
The Transfer
The newly remastered transfer by LAIKA and Shout Factory is a nice upgrade from the Blu-Ray/3D BD that was released in 2013. Similar to Coraline, the advancements of hardware and software have given us a better fuller more verbose image for Paranorman. This 2021 transfer’s colors just pop more and the image has a greater tolerance with its contrast and black levels making it look all-around better and more like the image seen in theaters. Well worth the upgrade.
The Extras
They include the following:
The audio commentary by directors Chris Butler and Sam Fell begins with the reasons why they opened with the scene they chose and goes into an informative track. Some of the details include how they achieved the movie within a movie, the relationship with grandma and how the solution to the end problem was built into the beginning, the visual inspiration from photographer William Ableton, the work in pre-production with many of the creators of The Secret of Kells and Wolfwalkers, the kind of comedy they were trying to achieve, the various in-jokes that are related to horror films, the troubles that came up with shooting stereo (aka native 3D), how The Golden Girls influenced the development of Grandma’s look, the voice work and how the younger actor’s scenes were achieved, the specifics of creating the zombie initial appearances, the car chase and the difficulty in achieving it, references to Scooby-Doo, how they developed the third act, the challenges to create Aggie and the lack of CG augmentation, and so much more. Much like the commentary tracks for both Coraline and The Box Trolls this track gives an amazing wealth of information about the creation of this complex stop motion work of art. They even talk through the great credit sequences and for the final little end credit sequence (which has nothing to do with the film itself but everything).
Inside LAIKA: Discovering The Characters And Effects Of ParaNorman (12:51)– is an all-new featurette that looks into the work that goes into creating a performance in stop motion and the FX and lack. The featurette has some great looks at test footage behind the scenes of the process and a look at each character and how they approached them including some great tests for each and some up-close behind-the-scenes footage especially for the bigger set pieces of the film. Comments by directors Sam Fell and Chris Butler, Producer Arianne Sutner, Producer/Lead Animator Travis Knight, production designer Nelson Lowery, visual effect supervisor Brian Van’t Hul, animation rigging supervisor Oliver Jones, animation supervisor Brad Schiff and others.
Inside LAIKA: Revisiting The Puppets With LAIKA’s Animation Team – this all-new featurette is a look at the various characters in the film. The 1 to 2-minute featurettes are broken down by character and are essentially micro-commentaries by the animators discussing the animating the character.
Feature-Length Storyboards (92:03) – the all-new feature is like the recently released Coraline and The Boxtrolls and most Shout Factory GKIDs Studio Ghibli’s Blu-Rays. As “animatics” have become a vital part of the animation process this is vital including, especially for anyone interested in any form of animation including stop-motion. It’s a great way to compare the finished product and how much character and subtly the animators place into the completed animation. Watching this along with the other two LAIKA Studio Blu-Rays with the same featurette one can see the technology they use to create the storyboard/animatics evolve as this version is much more refined with colored sequences and other pieces that help give this rough form of the film a bit more life and understanding.
Peering Through The Veil: Behind the scenes of Paranorman (40:41) – This featurette was carried over from the original Blu-ray disc, like the one from Boxtrolls disc, is still an excellent making-of documentary. The 40-minute documentary covers all aspects of the production leaving nothing not discussed.
Featuring comments by directors Chris Bulter and Sam Fell, Producer/lead animator Travis Knight, production designer Nelson Lowery, assistant art director/head of set dressing Robert DeSue, voice actor Ana Kendrick, voice actor Kodi Smit-McPhee, voice actor Casey Affleck, voice actor Tucker Albrizzi, voice actor Christopher Mintz-Plasse, voice actor Jeff Garlin, voice actor Leslie Mann, voice actor Jodelle Ferland, voice actor Alex Borstein, Character fabrication supervisor Georgina Hayns, head of armature Jeanne R. McIvor, lead hair and fur fabrication Jill Penney, head of hair and fur fabrication Jessica Lynn, costume design supervisor Debrorah Cook, fabrication design lead Kingman Gallagher, fabrication performance lead Morgan Hay, replacement animation and engineering Brian McLean, visual effect supervisor Brian Van’t Hul, animation rigging supervisor Oliver Jones, animation supervisor Brad Schiff, and more behind-the-scenes crew. The featurette is divided into 8-sections looking at the various aspects of the production which does have a “Play All” Function.
You Don’t Become a Hero by Being Normal (2:43) – an archival EPK-style featurette looking at the behind-the-scenes crew and their childhoods being labeled “strange” and how it relates to the message of the film.
A Norman Childhood (2:03) – an archival EPK-style featurette looking at writer/co-director Chris Butler and the origins of the film.
Playing as a Profession (2:18) – an archival EPK-style featurette looking at co-director Sam Fell and directing a stop motion film.
Making Norman (1:34) – an archival EPK-style featurette looking at how Norman the Puppet/Armature is made in this time-lapsed video (it can also be seen at the end of the film).
This Little Light (1:15) – an archival EPK-style featurette looking at how a lamp is made in miniature.
Have you Ever Seen a Ghost (2:11) – an archival EPK-style featurette asking the cast or crew they’ve ever seen a ghost.
The Zombies of Paranorman (2:14) – an archival EPK-style featurette looking at who designed the zombies.
Still Galleries – the newly produced galleries include the following;
Trailer (1:33)
The Final Thought
Paranorman in its remastered edition is a perfect complement to the film. Shout Factory’s release of this LAIKA Edition is a must-own. HIGHEST POSSIBLE RECOMMENDATIONS!!!!
Shout Factory’s Blu-Ray Edition of Paranorman is out now
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