Much like the oft-discussed Hippies and Summer of Love, Mod culture was a blip on the screen of Pop Culture history. A time that was small yes but influential. You would think that Mod Culture had gone on for years. Arabesque is a film that appeared to be influenced by Mod culture and a ton of LSD. The film is both dreamlike and impeccably designed in a way that isn’t real life… it’s cinema.
Oxford Professor David Pollack (Gregory Peck) is first offered a very lucrative translation assignment by shipping tycoon Nejim Beshraavi (Alan Badel) but turns it down. In seconds, Pollack is picked up by Hassan Jena (Carl Deuring), a Middle Eastern Prime Minister, and is told it is of the utmost importance that he take this job. The very fate of the Middle East may depend on it. As Pollack accepts the translation job he is not counting on falling in love with the beautiful and mysterious Yasmin (Sofia Loren) who has her own secrets. As things evolve into a web of intrigue and murder Yasmin and Pollack begin to see there is more to their relationship than lies and deceit.
Part of the pure joy of watching this thriller is the purely cinematic storytelling conventions it relies on. The chance job that turns out to have worldwide consequences. Love a first sight. Twists. Turns. Greggory Peck on LSD. Sophia Loren dressed impeccably by Dior all the time no matter what the occasion.
This is not a bad thing. In fact, it is exactly what this type of material needs. It is what is sorely lacking in the Robert Langdon series (re DaVinci Code). Those films never imbued themselves with any sense of stylish fun. The seriousness of those adaptations only accentuated the ridiculous and stupidity of the storytelling. Much of this film has been lifted from those books and films in fact. One just wishes they had taken the right pieces.
Arabesque treats everything lighter than air, even when it’s assassinating political figures. It’s all done so stylishly and with the charms of its stars Sofia Loren and Greggory Peck, you can’t help but fall for its charms.
The Transfer
Brand New HD Master from Universal – From a 4K Scan of the Original Camera Negative is an excellent upgrade from the original Blu-ray release from Kino Lorber. The new scan is sharper, cleaner, and more robust. All one needs to do is look at the hypnotic opening title sequence and the Optician Assassination scene that opens the film. The color reproduction during these moments is spectacular with not even an ounce of bleed through even during the red-hued moments. The film altogether looks spectacular with a beautiful patina of film grain running throughout. There is nary a scratch, blemish, artifact, or fleck of dirt through the entire runtime of the film. Arabesque on 4K is about as perfect a transfer for a 60s film of recent memory. Bravo to Kino on a revelatory upgrade in every sense of the word.
NOTE: The new 4K Scan of the OCN is the transfer on both the 4K and Blu-ray.
The Extras
They include the following;
Audio Commentary by Film Historians Howard S. Berger, Steve Mitchell, and Nathaniel Thompson
Music by Mancini
Theatrical Trailer
Theatrical Teaser
Television Trailer
5 TV Spots
Poster Gallery
Trailers
NOTE: The Commentary Track is the only extra that appears on the 4K UHD. All other special features, including the audio commentary, reside on the Blu-ray.
The newly recorded commentary by Historians Howard S. Berger, Steve Mitchell, and Nathaniel Thompson. The track begins with both saying it is “post-pandemic” and that Arabesque is closely hue to Donen’s Charade, and the author dropping acid/LCD. Some of the details include how this film and films of similar ilk labelled “Hitchcockian” really weren’t, Peter Stone’s rewriting of the film like he did for Charade but did not get credit for here, the brutality of the film and other thrillers of the time, the themes of the film, Donen’s life as an expatriate living in the UK for 17-years, the influence of the James Bond series in this film and 1960s in general, the costly development of the script from the novel it was based on, the amazing art direction of the film and Stanley Donen films in general, the work of Sophia Loren and Greggory Peck, the criticism at the time that Peck was miscast, the style of the film, the work of Henry Mancini here and his career in general and his composition on the pop charts, a great mini-dissection of Two for the Road (another great Donen film), how this film affected his next film (which was Two for the Road), the work of Donen not just as a director but behind the scenes with crews, his actors, the writers, et. al., and much more. Berger, Mitchell, and Thompson are a three-headed-hydra of film history and continue their very entertaining and super informative deep dive into the forgotten films of the ’60s, ’70s, and ’80s.
Music by Mancini (9:33) – is an archival featurette with Henry Mancini and Nationally Syndicated Columnist Leonard Feather. The featurette looks at Mancini’s career and life with some great behind-the-scenes footage of composition.
Theatrical Trailer (3:30)
Theatrical Teaser (1:23)
Television Trailer (1:05)
5 TV Spots (1:52)
Poster Gallery (2:31) – is a gallery of 23 poster images from various countries set to Manici’s playful title credit music. There is unfortunately no way to navigate through the gallery only the ability to pause on an image.
Rounding out the special features are trailers for Night People (2:49), Mirage (2:12), Boy on a Dolphin (2:26), Five Miles to Midnight (3:19)
The Final Thought
Arabesque is 60s popcorn entertainment of the highest order. Kino 4K Transfer is luminous in all the right ways. Highest possible recommendations.
Greggory Peck and Sofia Loren go Mod-ish in Stanley Donen’s thriller Arabesque. Kino Lorber has released the film in a new upgraded 4K UHD.
The Film
Much like the oft-discussed Hippies and Summer of Love, Mod culture was a blip on the screen of Pop Culture history. A time that was small yes but influential. You would think that Mod Culture had gone on for years. Arabesque is a film that appeared to be influenced by Mod culture and a ton of LSD. The film is both dreamlike and impeccably designed in a way that isn’t real life… it’s cinema.
Oxford Professor David Pollack (Gregory Peck) is first offered a very lucrative translation assignment by shipping tycoon Nejim Beshraavi (Alan Badel) but turns it down. In seconds, Pollack is picked up by Hassan Jena (Carl Deuring), a Middle Eastern Prime Minister, and is told it is of the utmost importance that he take this job. The very fate of the Middle East may depend on it. As Pollack accepts the translation job he is not counting on falling in love with the beautiful and mysterious Yasmin (Sofia Loren) who has her own secrets. As things evolve into a web of intrigue and murder Yasmin and Pollack begin to see there is more to their relationship than lies and deceit.
Part of the pure joy of watching this thriller is the purely cinematic storytelling conventions it relies on. The chance job that turns out to have worldwide consequences. Love a first sight. Twists. Turns. Greggory Peck on LSD. Sophia Loren dressed impeccably by Dior all the time no matter what the occasion.
This is not a bad thing. In fact, it is exactly what this type of material needs. It is what is sorely lacking in the Robert Langdon series (re DaVinci Code). Those films never imbued themselves with any sense of stylish fun. The seriousness of those adaptations only accentuated the ridiculous and stupidity of the storytelling. Much of this film has been lifted from those books and films in fact. One just wishes they had taken the right pieces.
Arabesque treats everything lighter than air, even when it’s assassinating political figures. It’s all done so stylishly and with the charms of its stars Sofia Loren and Greggory Peck, you can’t help but fall for its charms.
The Transfer
Brand New HD Master from Universal – From a 4K Scan of the Original Camera Negative is an excellent upgrade from the original Blu-ray release from Kino Lorber. The new scan is sharper, cleaner, and more robust. All one needs to do is look at the hypnotic opening title sequence and the Optician Assassination scene that opens the film. The color reproduction during these moments is spectacular with not even an ounce of bleed through even during the red-hued moments. The film altogether looks spectacular with a beautiful patina of film grain running throughout. There is nary a scratch, blemish, artifact, or fleck of dirt through the entire runtime of the film. Arabesque on 4K is about as perfect a transfer for a 60s film of recent memory. Bravo to Kino on a revelatory upgrade in every sense of the word.
NOTE: The new 4K Scan of the OCN is the transfer on both the 4K and Blu-ray.
The Extras
They include the following;
NOTE: The Commentary Track is the only extra that appears on the 4K UHD. All other special features, including the audio commentary, reside on the Blu-ray.
The newly recorded commentary by Historians Howard S. Berger, Steve Mitchell, and Nathaniel Thompson. The track begins with both saying it is “post-pandemic” and that Arabesque is closely hue to Donen’s Charade, and the author dropping acid/LCD. Some of the details include how this film and films of similar ilk labelled “Hitchcockian” really weren’t, Peter Stone’s rewriting of the film like he did for Charade but did not get credit for here, the brutality of the film and other thrillers of the time, the themes of the film, Donen’s life as an expatriate living in the UK for 17-years, the influence of the James Bond series in this film and 1960s in general, the costly development of the script from the novel it was based on, the amazing art direction of the film and Stanley Donen films in general, the work of Sophia Loren and Greggory Peck, the criticism at the time that Peck was miscast, the style of the film, the work of Henry Mancini here and his career in general and his composition on the pop charts, a great mini-dissection of Two for the Road (another great Donen film), how this film affected his next film (which was Two for the Road), the work of Donen not just as a director but behind the scenes with crews, his actors, the writers, et. al., and much more. Berger, Mitchell, and Thompson are a three-headed-hydra of film history and continue their very entertaining and super informative deep dive into the forgotten films of the ’60s, ’70s, and ’80s.
Music by Mancini (9:33) – is an archival featurette with Henry Mancini and Nationally Syndicated Columnist Leonard Feather. The featurette looks at Mancini’s career and life with some great behind-the-scenes footage of composition.
Theatrical Trailer (3:30)
Theatrical Teaser (1:23)
Television Trailer (1:05)
5 TV Spots (1:52)
Poster Gallery (2:31) – is a gallery of 23 poster images from various countries set to Manici’s playful title credit music. There is unfortunately no way to navigate through the gallery only the ability to pause on an image.
Rounding out the special features are trailers for Night People (2:49), Mirage (2:12), Boy on a Dolphin (2:26), Five Miles to Midnight (3:19)
The Final Thought
Arabesque is 60s popcorn entertainment of the highest order. Kino 4K Transfer is luminous in all the right ways. Highest possible recommendations.
Kino Lorber’s 4K UHD Edition of Arabesque is out now.
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