Film Review: Firebird (2022)
Based on the memoirs of the lead character, Firebird is a story of love and longing in, of all places, a SovietContinue Reading
Category: Film
Film Review: Memory (2022)
Liam Neeson is back, this time he’s an assassin fading into dementia in Memory. Memory could have been a standard-issue Liam NeesonContinue Reading
Film Review: Anaïs in Love (2022) 
Anaïs in Love, a French romance from first-time feature director Charline Bourgeois-Tacquet, follows a spirited young woman in pursuit ofContinue Reading
Moving Pictures Vol. 14: We Are Groot
Logan’s Moving Pictures is back with a look at the meaning of found family and a film that the brothersContinue Reading
Film Review: Hit the Road (2022)
Winner of the Best Film prize at last year’s London Film Festival, Iranian writer/director Panah Panahi’s first feature Hit the Road isContinue Reading
Film Review: The Northman (2022)
Writer/Director Robert Eggers returns to the Big Screen with The Northman. There is an archaic way that writer/director Robert Eggers’sContinue Reading
Film Review: The Great Movement (2022) 
A surreal mix of events which – on paper – make little sense, but which coalesce into a treatise onContinue Reading
Moving Pictures Vol. 13: Learn from History or Repeat It
Logan’s Moving Pictures goes unexpectedly into the career of Brendan Fraser and specifically one of his deep cut failures. TheContinue Reading
Films not in the English language – have we jumped the one-inch barrier yet?
As we eagerly await Sunday’s Academy Awards, Marie reflects on this year’s crop of films not in the English languageContinue Reading
Moving Pictures Vol. 12: We Got This Far
Logan’s Moving Pictures is back with a look at a film that both the brothers Polk disliked. But have 3Continue Reading