The Convert – MANIFF 2024
A lay minister’s battle-scarred past draws him into unanticipated bloody conflicts upon his arrival in 19th century New Zealand. StarringContinue Reading
Author: Marie O'Sullivan
Film Review: Eureka (2024)
A lawless town in America’s ‘Wild West’, a Reservation in South Dakota, and the Amazon rainforest are the settings forContinue Reading
Film Review: Restore Point / Bod obnovy (2024)
A detective’s investigation of a double murder which could involve a big tech company and its activist adversaries takes several twistsContinue Reading
Film Review: Disco Boy (2024)
The lives of two young men from different continents and very different experiences cross in highly unusual circumstances, with aContinue Reading
Natatorium – International Film Festival Rotterdam 2024
A chillingly atmospheric psychological drama, Natatorium is the feature debut of Icelandic director Helen Stefánsdóttir and is screening in the Bright FutureContinue Reading
Marie’s Top 10 of 2023
Marie looks back at the Best Films of 2023 For various reasons, 2023 has been a slack year film-wise forContinue Reading
Film Review: Concrete Utopia (2023)
A huge earthquake devastates South Korea’s capital city, Seoul, and the only thing left standing is one apartment block. TheContinue Reading
Film Review: La Syndicaliste (2023)
Isabelle Huppert takes on French politics and the nuclear sector in her portrayal of a union representative turned whistle-blower, andContinue Reading
The Land Within – Raindance Film Festival 2023
Two timelines link a family secret in The Land Within, a Kosovo-set film from writer/director Fisnik Maxville. The film receives its UKContinue Reading
All the Colours of the World Are Between Black and White – Raindance Film Festival 2023
All the Colours of the World Are Between Black and White is the debut feature of Nigerian-born, UK-based writer and directorContinue Reading